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- #T RACKS PLUGINS SOFTWARE#
- #T RACKS PLUGINS LICENSE#
- #T RACKS PLUGINS MAC#
- #T RACKS PLUGINS WINDOWS#
T-RackS 5 boasts more versatility and firepower than any of its competitors and gives you everything you need to professionally treat and finalize your audio from raw mixes to a perfect finished product ready for uploading to the leading digital delivery and streaming services or for CD printing.Ĭlick here to read more about the creative power of T-RackS 5. T-RackS 5 has evolved into the most powerful mix and master modular system ever, offering an improved audio engine, 44 high-quality modules on a flexible 16 processor series/parallel chain, broadcast-ready metering, a smart single-window GUI, and an album assembly section (available in T-RackS 5 or above) with multi-format export. It’s no coincidence that thousands of top-charting records have been made using T-RackS. From day one, an ever-growing number of professionals and enthusiasts have trusted our meticulous approach to creating the finest digital processors on the planet.
#T RACKS PLUGINS SOFTWARE#
IK Multimedia invented T-RackS in 1999, unleashing the power of a complete, affordable mastering software tool to everyone. BEYERDYNAMIC® is a registered trademark of Beyerdynamic GmbH & Co.The most powerful mixing/mastering system - remastered.
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ARC System™ is a trademark property of IK Multimedia Production Srl. VST is a trademark of Steinberg Media Technologies GmbH. The Audio Units logo is a trademark of Apple Computer, Inc.
#T RACKS PLUGINS LICENSE#
QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom.
#T RACKS PLUGINS WINDOWS#
Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries.
#T RACKS PLUGINS MAC#
Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. Revox® is a registered trademark property of Revox AG Corporation. Studer® is a registered trademark property of Studer International AG. Ampex® is a registered trademark property of Ampex Corp. Pultec® is a registered trademark property of Pulse Techniques, LLC. Fairchild® is a registered trademark property of Avid Technology, Inc. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. Use of these names does not imply any cooperation or endorsement. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. T-RackS® is a registered trademark property of IK Multimedia Production. The higher speed gives you more fidelity, and the lower speed delivers a warmer, rounder tone.
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Select the speed of the tape transport between 7.5 and 15 inches per second (“ips”). If perfectly identical left and right channel processing is a must, simply disable this feature. This is good and part of the analog recording mojo! The T-RackS TASCAM Tape Collection perfectly recreates these subtle differences to deliver the real experience. “Repro” passes your signal through the entire analog recording system: input-> recording amplifier -> recording head -> tape -> playback head -> playback preamplifier -> output stage.Įven a perfectly aligned tape machine will have slight level, EQ and distortion differences between the left and right channels. Depending on how the recorder is designed, the “Input” path can sound extremely transparent or just slightly more colored. With “Input,” the signal only passes through the input and output electronic stages of the recorders, bypassing the tape.